Sony Cinematography | Sony Cine

2026-02-19

Behind The Look: DP Pär M. Ekberg Explains The Visual Language of “Black Phone 2”

Take a deep dive behind the lens with the cinematographer behind "Black Phone 2"

2026-02-17

How “Brilliant Minds” Season 2 DPs Reinvented Each Episode With the Sony VENICE

Cinematographers Stanley Fernandez and Claudine Sauvé, CSC, explore mental health struggles through new perspectives.

2026-02-12

Sony to Open a Base in Japan to Engage in Media Production with Creators

The third global “Digital Media Production Center” offers verification of workflows utilizing technologies such as virtual production and XR

2026-02-10

“The Rip”: How Juan Miguel Azpiroz, AEC, Weaved Together Film Noir Shadows and Silhouettes

Discover how a 1955 noir horror inspired the Ben Affleck and Matt Damon Netflix Thriller.

2026-02-03

Sony FX6 & DP Andrew Aiello Fuse Dance and Color for “Strong Torso”

With only one day to shoot, see how the FX6 helped Aiello capture the intensity of dance.

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Filmmaker Interviews

“Gen V” DP Jonathon Cliff Explores a Fresh Visual Palette for Season 2

Discover how the Sony VENICE 2 helped bring a superhero world to life.

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The 2026 ASC Awards Nominees Reveal The Creative Power of Sony

Celebrate the seven ASC Awards-nominated projects shot on the Sony Cinema Line.

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Filmmaker Interviews

‘Loot’ Season 3 Explodes in a Cornucopia of Color With DP Jason Oldak

See how the Sony VENICE 2 helped Oldak capture bold stories and vivid color.

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Filmmaker Interviews

“Black Rabbit”: DPs Igor Martinović, ASC, and Peter Konczal, ASC Deconstruct the Gritty Layers of a Modern Thriller

Discover how DIY filters and 70s cinema grit gave Netflix's "Black Rabbit" its visual language.

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Filmmaker Interviews

The Marczewski Brothers Explore Big Narrative Ideas With Small Budgets on the Sony FX3

From gritty sci-fi to classic adaptations, see how the Sony FX3 tackles different genres on a budget.

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Filmmaker Interviews

DP Mitchell Baxter and Jon Joffin, ASC, Explore Undiscovered Compositions With the VENICE Extension System Mini

See how Baxter and Joffin craft big-budget compositions with a four-person crew and no lighting.

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