The VENICE camera is Sony's first full-frame sensor high-end digital cinematography camera. It is unmatched in the Sony range for the wide array of recording formats it supports, and features Dual Base ISO 500/ISO 2500.
Something I’ve always loved about the VENICE is the color rendition. I feel that the colors are very well separated, even in low light.
Lyle Vincent, Cinematographer
Optional High Frame Rate License
120fps at 4K 2.39:1
110fps at 4K 17:9
90fps at 6K 2.39:1
60fps at 6K 3:2
72fps at 6K 1.85:1 and 75fps at 4K 4:3 with anamorphic license
72fps at 6K 17:9
More Colors For More Expression
Beautifully reproduce the true color of the scene in front of your lens
VENICE can exceed Rec. 2020 color space
Color range is wider than DCI-P3
Sony’s third-generation LOG gamma encoding (S-Log3)
Phenomenal Latitude
Unprecedented creative freedom in grading
15+ stops of latitude
From searing sunlight to almost no light
Excels at High Dynamic Range imaging
World’s First 8-Step Mechanical ND Filters
Servo-controlled 8-step mechanical ND filter mechanism built into the camera chassis
ND of 0.3 (1/2 = 1 stop) to ND2.4 (1/256 = 8 stops)
Reduces time lost on set changing external filters
Rialto Extension - Unlimited Versatility
Extend the sensor block up to 18’ away from the camera body
Shoot in tight and unconventional spaces
Ideal for use with gimbals, handheld stabilizers, underwater housings and 3D/VR rigs
Dual Base ISO
Base ISO 500 provides optimal dynamic range for typical on-set lighting
High Base ISO 2500 excels in low-light High Dynamic Range capture
Exposure latitude from +6 to -9 stops under 18% Middle Gray
Flexible Lens Mounts
-
PL Mount: Compatible with all Super35 and full-frame PL lenses, spherical and anamorphic
Supports Cooke/i Technology -
E-Mount: Iris operation is controllable via assignable button
Lever lock operation for more security
DC24 V (22–32.0 V)
E-mount (lever lock type, without supplied PL lens mount adaptor)
XAVC 4K Class 300: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
XAVC QFHD Class 480: 23.98p, 25p, 29.97p
XAVC QFHD Class 300: 23.98p, 25p, 29.97p, 50p, 59.94p
MPEG HD422 (1920 x 1080): 23.98p, 25p, 29.97p, 50i, 59.94i
HD ProRes 422HQ: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 422 Proxy: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p, 50i, 59.94i
HD ProRes 4444: 23.98p, 24p, 25p, 29.97p
6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 2.39:1: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
6K 2.39:1 (6048 x 2534): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
6K 1.85:1 (6054 x 3272): 23.98p, 24p, 25p, 29.97p, 50p
6K 17:9 (6054 x 3192): 23.98p, 24p, 25p, 29.97p, 50p
5.7K 16:9 (5674 x 3192): 23.98p, 24p, 25p, 29.97p, 50p
4K 6:5 (4096 x 3432): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 4:3 (4096 x 3024): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 17:9 (4096 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
4K 2.39:1: 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
3.8K 16:9 (3840 x 2160): 23.98p, 24p, 25p, 29.97p, 50p, 59.94p
24 V: Fischer 3 pin x 2
SD card slot x 1
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