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04.15.2020

04-15-2020 - Events

SonyCine #CreatorConversations: The Story Within: Tyler Perry Studios

By: SonyCine Team

Join us for a conversation with the filmmakers behind "The Oval," "Sistas," "Ruthless," "A Fall from Grace," and much more.

Bring your questions and we will answer them live.

Time: Apr 17, 2020 at 11:00 AM Pacific Daylight Time (PDT)

Register for this event HERE: https://zoom.us/webinar/register/1115869074348/WN_w72wOv1GQXqMmajbvoq2IQ

Guest Speakers:

Terrence Laron Burke, Director of Photography

Bruce Lane, 2nd Unit Director of Photography

Dean Smollar, SOC, Camera/Steadicam Operator

Moderated by Paul Healy, Sony Electronics Inc.

Below, "The Oval," Official Trailer

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Case Study

Robert Hanna: A Lifetime of Documentaries | Shot on VENICE

Cinematographer Robert Hanna is an Emmy-award winning, veteran commerical, and documentary filmmaker, as well as a longtime customer and friend to AbelCine. Hanna's credits include Carrier, Circus, and A Portrait of Robert Frank. He has experienced several successive technological revolutions first-hand, going from 16mm to high-definition video to 4K digital cinema and beyond. His current project is Atlanta's Missing and Murdered: The Lost Children, a documentary miniseries for HBO shot on Sony VENICE, which debuted in April 2020. In this exclusive interview, Hanna discusses his career and the evolution of technology for documentarians.  The full story can be seen here - https://www.abelcine.com/articles/blog-and-knowledge/client-profiles/robert-hanna-a-lifetime-of-documentaries For Atlanta's Missing and Murdered: The Lost Children for HBO, Hanna sought a camera which could leverage his years of film shooting experience along with the latest digital cinema advances. The search ultimately led to Sony VENICE. "This is the first time I've used it and everyone at Show of Force, the production company has been thrilled with the images," says Hanna. "And that's just with the proxies right out of the camera without any color grading. The image is very filmic, a dramatic change from the classic Sony Broadcast look." “VENICE provides a rich, immersive look that we love,” adds Dupre. “The skin and color tones are terrific, and it’s great in low light situations.” “We’re very pleased with how the series looks. When it comes to production values, the bar keeps moving higher. The story always comes first, but your film also needs to hit a very high mark visually.” All photos by Tahir Daudier.